• Kim Warsén & Enoo Leggedör at the church of Mortorp 2026

    Photo by Peder Nabo

    KIM WARSÉN - WAR SAN

    COMPOSER / MUSICIAN / FILMMAKER

    Somewhere between Noise and Silence // Transnational Records

    There is something quitly subversive about the music of War San, the solo project of Swedish composer Kim Warsén. It inhabits the territory of ambient, experimental composition and new classic, but rarely behaves as any of these genres are expected to.

    Melodies appear and dissolve, instruments seem to carry memories of their own, and seemingly peacyful soundscapes reveal unexpected darkness beneath the surface.

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    Photo by Christian Strömqvist

    Across a growing catalogue of releases, Warsén has developed a distinctly personal approach to composition and production. Part ritual, part sonic excavation, his records seem to operate according to their own internal logic.

    Old pianos, harmoniums, synthesizers, unconventional percussion, degraded recordings and fragments of voices are assembled into compositions that feel simultaneously intimate and strangely unfamiliar. There is an almost tactile quality to the sound: wood, dust, air, friction and resonance. Imperfections aren't corrected but allowed to become part of the composition.

    The results are difficult to pin down. Minimalism can suddenly give way to psychedelia, a delicate melody can become strangely unsettling, and a seemingly peaceful soundscape may conceal something darker beneath its surface.


  • New album out now

    THE LOST TRAVELLER´S DREAM

    Listen to it here

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    The Lost Traveller´s Dream

    6 songs recorded in a Madrid apartment in 2011.

    Remastered by Göran Frid in 2026.

    Published by Transnational Records. 7th nov. 2026

    Cover painting “People Get Ready” (1967) by Arne Pjedsted Salomonsen.

    Featuring Daniel Niño (Los Saxos del Averno) on Baritono Sax and Pablo Hernandez (Sinouj) on Flute.

    Download Advanced Listening & Press Release

  • "Every silence seems placed with the precision of a sleepless watchmaker."

    — ATONAL MAGAZINE · OSYNLIGA STIGAR

    "20 minutes of pure gold."

    — HYMN · FLOAT PT. 1

    "A delicate, more than legally dark, declaration of love."

    — SLAVESTATE MAGAZINE · HELLO SIKI (from the album The Miraculous Life of Stella Maris)

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    OSYNLIGA STIGAR (2026)

    Created with Ragnar Bey, the album explores old instruments, acoustic imperfections and the expressive possibilities of silence. A meeting of two musicians with a shared interest in the unpredictable.

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    FLOAT (2024)

    A more fluid and electronic territory, where ambient textures, drifting melodies and subtle disturbances create a world suspended somewhere between consciousness and sleep.

  • "Worth millions of listenings"

    — BAROMETERN · FE

    "One of this years albums"

    — RUTA66 · NEW RELIGIOUS MOVEMENTS

  • There is also a distinctly cinematic dimension to Warsén's work. Not surprising, perhaps, given his parallel career as a filmmaker and composer for film and theatre.

    His Carabanchel Prison project, built around footage shot inside an abandoned Madrid prison and a soundtrack that traces a movement from confinement towards release, demonstrates how his musical language can function beyond the album format.

    The music doesn't simply accompany images; it seems to occupy the same psychological space, somewhere between documentary, dream and hallucination.

    "Almost spiritual"

    // Aural Aggravation, Christopher Nonsibar on EP Carabanchel Prison

    Warsén's background includes years in Madrid's experimental underground, performing with bands such as Ginferno and Los Cuantos, as well as collaborations with musicians such as Damo Suzuki. These experiences form part of a wider practice that has never really recognised boundaries between disciplines.

  • Contact

    Concerts & Booking

    warsanmusic@gmail.com

    Record Label

    Transnational Records

    info@transnationalrecords.com

    KIM WARSÉN

    kimwarsen@gmail.com